Il mondo dei marginalia nella serie dei Corali tardo duecenteschi di San Domenico a Genova

Authors

  • Federica Volpera Independent Researcher

DOI:

https://doi.org/10.6092/issn.2533-2325/15112

Keywords:

marginalia, manuscript painting, Genoa, Choir Books, 13th century

Abstract

This contribution intends to present a first analysis of the marginalia present in the series of Choir Books made for the convent of San Domenico in Genoa in the last quarter of the thirteenth century and attributed to the so-called Master of the ms. Lat. 42 and his collaborators, among whom the so-called Master of Graduals of Santa Maria di Castello stands out for the singularity of his language. After a first part dedicated to providing some reflections on the role and value of marginalia within the illuminated page, a detailed description of the drawings present in the Genoese manuscripts, in particular in Gradual A, will be proposed: the subjects of marginalia will therefore be interpreted as elements of a complex semantic system composed of literary and figurative signs in a continuous dialogue with each other.

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Published

2022-12-05

How to Cite

Volpera, F. (2022). Il mondo dei marginalia nella serie dei Corali tardo duecenteschi di San Domenico a Genova. I Quaderni Del m.æ.S. - Journal of Mediæ Ætatis Sodalicium, 20, 75–104. https://doi.org/10.6092/issn.2533-2325/15112

Issue

Section

Essays

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