Visualizing the Reform: Examining Modena Cathedral’s Porta dei Principi for Traces of the Gregorian Reform

Autori

  • Blair Apgar Elon University

DOI:

https://doi.org/10.6092/issn.2533-2325/19498

Parole chiave:

Modena, Porta dei Principi, Matilde di Canossa, Riforma Gregoriana

Abstract

In the vein of Ernst Kitzinger, Kirstin Noreen, and Anat Tcherikover’s work on art of the Gregorian Reform, as well as H.E.J. Cowdrey’s work on the networks of the Gregorian Reform, this paper will explore the aesthetic manifestations the eleventh-century papal reform by examining the iconographic content of relief sculptures on the Porta dei Principi of the cathedral of Modena for pro-papal imagery. On the lintel of the entranceway is the life of the city’s patron saint and fourth-century bishop, Geminianus, which regales viewers of the bishop-saint’s heroism while exorcising evil from within the royal court. By examining the imagery upon the doorway in conjunction with contemporary descriptions such as the Relatio de Innovatione Ecclesie Sancti Geminiani, this paper will investigate potential visual links between the iconography of the cathedral and the Gregorian Reform.

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Pubblicato

2024-12-30

Come citare

Apgar, B. (2024). Visualizing the Reform: Examining Modena Cathedral’s Porta dei Principi for Traces of the Gregorian Reform. I Quaderni Del m.æ.S. - Journal of Mediæ Ætatis Sodalicium, 22(1), 63–81. https://doi.org/10.6092/issn.2533-2325/19498

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